Terminator Timelines

Reviews

Discussion · The Terminator · Terminator 2: Judgment Day · Terminator 3: Rise of the Machines · Terminator Salvation · Terminator Genisys · Terminator: Dark Fate · Terminator: The Sarah Connor Chronicles

Discussion

When talking about any particular terminator movie it is impossible to discuss it outside of the context of the entire franchise. However, when Terminator was released in 1984, it was new and it was unique. At that time no one knew there would be more nor that the series would last for decades.

We first saw Terminator as a newly released movie in a theater in 1984. Although in the ensuing decades and sequels much talk would center around John Connor, leader of the human resistance, in the beginning the story was about Sarah Connor. In Terminator John does not even appear. Our viewing of everything that has come after is based on this initial impression that the primary character is Sarah.

There exists an almost cult-like following of John Connor, even to the point of flaw. It has been remarked that several of the stories deal with modifying the terminators to make them more human, nurture rather than nature. This concept if first introduced in Judgment Day where young John attempts to teach the T-800 to act more human, culminating in the "I now know why you cry" moment. However, with John Connor the opposite is true. Mankind cannot win against the machines without him, and only him. Nature rather than nurture.

In Genisys Pops believes this in talking with Sarah about why she must "mate with Kyle Reese in this timeline".

We know that your son will be John Connor, and that the machines cannot be defeated without him. I do not see a choice.

As we wrote in the Chronologies we believe that in the original unaltered timeline it must be Sarah who rises to leadership of the resistance as there is no John Connor. She does this so successfully that Skynet determines it must travel into the past to kill her. This would indicate that it is not a single individual - John Connor - who must exist in order to defeat Skynet, but rather a human leader who understands that Skynet can be beaten and instills that belief in others.

This concept is also supported by conversations with the writers of The Chronicles. At the end of Season 2 John jumps into future. Because of this he never rose to leadership in the resistance and future Derek has never heard of him. After the series was cancelled the writers revealed that in Season 3 - which tragically never came to be - it was to have been Sarah who led the resistance as John was no longer around.

An even stronger example of this is in Genisys where not only is John Connor not the savior of mankind he is its enemy and it is Sarah who defeats him and defeats Skynet. As she says to Kyle …

John is not humanity's last hope any more.
He's Skynet's.

Our biggest complaint is that within this cult-like mind-set about the great John Connor is the reduction of Sarah to the vessel. She is the Virgin Mary who is the vessel for the Messiah John. Obviously this is misogynistic, but it is also entirely unfair. In Terminator it is Sarah who guides and controls events once she understands they are real and true. She convinces Kyle, who would die for John Connor, to disobey John's orders and follow her in an attempt to destroy Cyberdyne and stop the war before it occurs. She is the one who confronts the T-800 face-to-face and destroys it. When she tells Kyle in a deleted scene "I am not a 'mission'" she is really saying 'I am more than just my uterus'.

In Terminator Kyle refers to her as

... the legend. Sarah Connor, who taught her son to fight, organize, prepare from when he was a kid.

Even though he is in love with her and in awe of her, Kyle's belief is that his mission is to protect and preserve Sarah's womb so that she can birth his leader and hero.

As Sarah says in Genisys

Look, I know you think you're here so you can just lock me in a room until I give birth to the leader of the Resistance.

Sarah's attitude, of course, is closer to 'Screw that!. I am a person, I can act, I can decide. I think we should hunt down Cyberdyne and blow it out of existence and stop the war from ever happening! ' And her idea is far superior to his as preventing the war means billions of people will not have to die regardless of whether there is ever a John Connor.

To attempt to push this dynamic woman into the role of simply being the Mother of the Savior does her an enormous disservice.

In Terminator, The Chronicles and Genisys the focus is on Sarah and not on John. He becomes "John Connor" because of Sarah. It is Sarah who crushes the T‑800, it is Sarah who returns to Los Angeles to destroy Cyberdyne, it is Sarah who has hidden weapons at Enrique's, it is Sarah who leaves weapons in her crypt. The Chronicles is rife with Sarah leading, guiding and molding young John and in Genisys Sarah's attitude is almost "Yes, I birth the 'great John Connor', whatever. Don't bother me, I'm busy saving the world".

Our reviews of the stories is founded on this premise that the core character in them is Sarah and not John. This very strongly colors how we feel about each of them.

The Terminator

This movie is such a classic that it is difficult to review as if it were a newly released film. This movie was new and fresh when it was released and we loved this movie when we first saw it in the theater - and still enjoy it to this day. Even with the extremely dated music, clothing and hair styles and the special effects which at the time were advanced and now are quaint it is still a good movie.

The sudden, growing invasion into Sarah's life and consciousness of unrelenting danger. Watching as she turns to Kyle to save her, then turns to the police, and finally takes ownership and destroys the thing herself, this was and is a joy.

There are a couple of themes in the movie, some obvious and others not so much. Obviously there is the human vs. machine theme. This permeates the movies in both small and large ways and there is no need to discuss this.

Then there is the love story between Sarah and Kyle. This is well handled and believable. It is interesting to watch Sarah slowly move into Kyle's world as Kyle slowly moves into Sarah's. In the deleted scene at the Tiki Motel Sarah tells Kyle "I'm in your world now". Kyle, on the other hand, is actually able to relax a bit - watch he and Sarah goofing around just before the T-800 arrives at the motel.

The dynamic between the two is also well done. Sarah initially strongly opposed to Kyle - even to biting him - while Kyle seems a bit bewildered that Sarah needs to be convinced that the Terminator is there and is evil. Kyle is forceful enough to be convincing - and a little scary.

Listen, and understand. That terminator is out there. It can't be bargained with. It can't be reasoned with. It doesn't feel pity ... or remorse ... or fear. And it absolutely will not stop - ever - until you are dead.

This dynamic slowly changes. The first indication is at the end of the car chase, when the police arrive, Kyle grabs his gun and is going to get out of the car. Sarah orders him not to and he obeys.

The next day as they are traveling north, Sarah argues that rather than run and hide they should try to destroy Cyberdyne so there will be no war, no Terminators and no need to run. This takes place in a deleted scene, which is unfortunate as it is a crucial step in their relationship. (We have to admit, it was the correct decision to delete this scene as it includes a "break-down" on Kyle's part that does not quite fit into the arc of his story).

In another deleted scene we see that the building in which Sarah crushes the Terminator is Cyberdyne and as they are building bombs at the Tiki we realize that Sarah was successful in convincing Kyle to follow her lead - destroying Cyberdyne - rather than his plan which is simply to run and hide.

This change in their relationship reaches its climax when Kyle collapses in the factory unable to go on and Sarah orders him to get up. "Move it, Reese! On your feet, soldier! On your feet!"

The arc of Sarah's change continues as, after Kyle dies, she confronts the T-800 on her own and crushes it.

The next theme is the ability to accurately assess relative dangers. Sarah locks up her motor bike, because other people might steal it. Most people would have been very afraid of the punks that the Terminator encounters and from whom it steals clothes. When Sarah leaves to go to the movies, she gets very creeped out in the parking lot, because bad people might be around. Finally, when she realizes that Kyle is following her, she gets very frightened. These are imagined dangers regarding her fellow humans.

However, during the arc of her transformation she comes to realize true and actual danger, the unthinking and unstoppable kind. The 'a meteor is going to crash into the Earth' kind. The imagined danger from your fellow humans is nothing, in fact, your fellow humans are on your side, they are your strength not your weakness.

Watching this transformation of Sarah is still wonderful. Starting out meek, taken advantage of and powerless - think of the ice cream scene and getting stood up on Friday night - she becomes strong, dedicated, committed and in the final scene she is armed and serious and headed into the future to save mankind. We believe she will succeed, not because we believe in her son's abilities - we've never met him - but because we believe in her.

Terminator 2: Judgment Day

Unsurprisingly, given our comments in the dating of this movie, we hated this when it was first released. We did not then, and do not now, particularly like the portrayal of young John. A much more interesting portrayal of a young John Connor can be found in The Chronicles.

We thought that Sarah's character was very different from Sarah at the end of Terminator. This Sarah seems almost bipolar. Either she is catatonically depressed or she is making idiotic decisions. Her character is neither in keeping with the Sarah that grew in Terminator nor is it consistent. An example is her telling Silbermann that she has behaved over the past six months and therefore deserves to see her son while knowing that she recently stabbed him in the knee with a pen. What?

The theme of Sarah being haunted by visions and dreams was interesting and well portrayed, but could have been explored better. Having these cause her to lose John, to get locked up - where she maniacally rants about Judgment Day - just doesn't sit well with us. It is obvious to us that she has been weakened as a character in order to make John the "hero", but it just does not work for us. This is the "great Sarah Connor"? Having to be guided by her 13-year-old (10-year-old?) son? Again, a more interesting portrayal of this theme was in The Chronicles.

Unlike Terminator in which special effects are sparse and therefore more powerful, much of the movie seemed to be only about special effects and as we were much more interested in characters, and John and Sarah did not grab us, we thought the movie failed. Miles Dyson, although ably played, was also a fairly shallow character.

The new T-1000 was a marvel of special effects but we never felt the creeping horror that the first T-800 gave us. Okay, melting through the bars was a great scene and very creepy, but not to the level we felt when the first T-800 rose out of the flames. Most of the effects added nothing to the story, nor helped develop the characters. They were just explosions and flames.

We must admit that the entire sequence of Sarah's escape starting from the moment the police show her pictures of the T-800 at the mall is excellent. While not showing any reaction to the police, we can see the change in her. She steals the paper-clip, later using it to release her bonds and pick the lock. Wending her way through security using Silbermann and finally getting close to escape only to have the T-800 show up, this was wonderfully done. Her confusion as the terminator echoes Kyle's words "Come with me if you want to live" and culminating in the T-1000 flowing through the bars. This sequence was marvelous and is the Sarah we wished to see. Unfortunately, this version of Sarah only appears occasionally and inconsistently.

Young John's attempt to "humanize" the T-800 just annoyed us. "Hasta la vista" ? We did not believe the idea that John was bonding with the substitute-Dad of the T-800 at all, nor did we believe the T-800 telling us he now knows "why we cry".

Another aspect of this movie was that it completely messed up the timeline. John, as we knew, was born in early 1985. Here we have a movie, allegedly taking place in 1995 - and, of course, we believe it actually took place in 1994 - yet John is not 10 years old, he is 13.

Now, as we have watched the movie more and more, our disappointment and anger have subsided, but we still feel it is an inferior movie, certainly one of the worst of the lot. We can appreciate some of the imagery created but for the most part, we do not re-watch this as often as the other two.

Terminator 3: Rise of the Machines

To us, this is one of the best of the stories by far. We know that we are completely in disagreement with most everyone else, who consider the second to be the best, or the first. We don't care. This John is so much superior to the snarky, smirking John of Judgment Day. The more mature attitude from John is refreshing. We continually think of John's speech to Kate.

Just imagine if you knew you were gonna do something important with your life. Something amazing. Maybe the most important thing anyone has ever done. But there's a catch. Something terrible has to happen. You couldn't live with yourself if you didn't try to stop it, but...

But? But if you do stop it, then you won't be the great John Connor, you won't do something amazing. It's a dilemma, and this conflict is well portrayed.

Kate is a wonderful character. John says "you remind me of my mother" and there are similarities. Not with the Sarah of the second movie, but with the Sarah of the first movie. She is strong and independent, up until she slips her hand in John's at the end of the movie which, while slightly out of character, worked for that scene. The interaction between John and Kate is wonderful.

Again, as with the second movie, a large part of this movie is special effects. My understanding is that the scene in the cemetery when Scott is walking and turns into the Terminatrix, that scene alone took 6 months to create. It's not worth it, really.

Terminator Salvation

We are not really sure that this is even a Terminator movie. Certainly there is no time travel in this film at all.

Okay, let's begin by looking at the various "Wha?"s in this movie. I'd like to start with Sarah. Of course, she does not appear because she died back in 1997. However, we do get to hear her on the tapes she left for John. The first one we hear is the one she was recording in the jeep at the end of Terminator.

In Terminator she clearly says "Tape 7, November 10th". Here Sarah says "This is tape number 28." so that's wrong, she then goes on to talk about whether she should tell John about Kyle, however the dialog is very different from the original version.

Next let's move on to John. Here he is "John Connor, prophesied leader of the Resistance". Prophesied by whom? Has John been going around telling people he is the leader of the resistance and savior of mankind? People would think he was nuts if that was the case. Our understanding is that John Connor became the leader of the resistance by, you know, leading the resistance and leading it to victory. In Terminator Kyle says

...but there was one man...who taught us to fight. To storm the wire of the camps. To smash those metal mother-fuckers into junk. He turned it around...he brought us back from the brink. His name is Connor. John Connor...

In Genisys Kyle says

The first moment I saw John, he shot a terminator right in front of me. I didn't even know they could be killed. That was the first moment in my life I felt hope.

These don't sound like some "prophesied" leader but an actual leader.

In conjunction with that is the character of General Ashdown. Who is this? Why is there some sort of conflict between Connor and this guy? It's all fake and manufactured. Which leads directly into the resistance. Look at the first movie, living on the edge, in tunnels, minimal hardware, yet the humans eventually win. Here, they have submarines and helicopters and planes and on and on and on.

Also, Kyle gets upset because Marcus drew the HK's to them by his confrontation with the terminator in LA. However, no one seems very concerned that Skynet might be listening in their radio communications or triangulating Connor's radio broadcasts. Hmmmm?

And Marcus. Is this the origin of the T-800's? That seems to be what the movie is saying, but Marcus is not a T-800, he is something else. It's all very confusing. Also, in his past, John has dealt with at least one reprogrammed T-800, in Judgment Day and so knows that just because it's a terminator does not mean it's the enemy. Here he seems to have forgotten this.

And the digitally recreated Arnold is a joke. It looks so fake we couldn't believe it.

We could continue – Kyle and Star the only resistance in LA? – but we will leave it there.

Replace the Terminators with regular bad guys and this is a mediocre war-film.

Terminator Genisys

We would like to begin by saying that, surprisingly, we loved this movie. This is almost entirely because of the extremely successful casting of Emilia Clarke as the new Sarah Connor, the deft re-introduction of Arnold Schwarzenegger and a loving homage to the original - as well as some seriously funny dialog! Before we begin reviewing the movie, though, we have to talk in some detail as to why it is not included in our timeline.

The premise we have been working with throughout is that once a traveller is sent back in time, we must return to their arrival and redescribe events changed by their appearance. This story fails in that department. It simply cannot happen the way in which is described.

Pops returns to 1973 and events are changed by his arrival. The meeting of Sarah and Kyle in 1984 is very different than seen in Terminator.

Listen to me, Reese, everything's changed. The 1984 John sent you to, it no longer exists.

Sarah and Kyle do not fall in love and they do not conceive John Connor, at least not at the Tiki Motel in 1984. Because Sarah and Kyle travel forward to 2017 it is impossible for there to be a John Connor who rises to leadership in the Resistance after Judgment Day. As that John Connor does not exist there is no reason for Skynet to send a T‑800 back to 1984 to kill her prior to his conception, and as no T‑800 is sent back, there is no reason to send Kyle back. Also because there is no John Connor in the future, or certainly not the one who sent Kyle back, then who is it that comes back from that changed future to 2014 to help Danny Dyson build Genisys?

If we reconsider Pops arrival and assume that the first time he was sent back he did not interact with Sarah, we might conceivably get to a future mostly unchanged and Kyle's being sent back would still make sense. This could happen if we realize that Skynet knew nothing of Sarah other her name and where she lived, so the T‑1000 sent back to 1973 might not have been able to find her. Pops would therefore not need to intervene and Sarah would grow up the same as she had.

This would get us to Kyle being sent back with the future unaltered by Pops arrival. However, at some point, Pops must intervene and change the course of events. At that point, the arrival of Pops that changes things, events are altered to the extent that Sarah knows the future, her actions change what is going to happen. And there is no conceivable series of events after that change that could lead up to John Connor leader of the Resistance sending Kyle back to 1984.

There are attempts to explain all of this, but they fall quite short. The most interesting is the interchange between John and Sarah and Kyle after they realize he's been changed by Skynet. Sarah says

You can't kill us. We're your parents.
Without us, you're never born.

To which John replies

Says who?
You know what I think? We're marooned, the three of us. We're exiles in time. You see, I can kill you, for there truly is no fate.

We're not sure what "exiles in time" exactly means, but it might lead to a new conception of time travel explored in future versions of the story. However, the exchange clearly states the paradox, they are his parents, but obviously they can't be his parents as they are currently in 2017, 32 years after his birth, and he has yet to be conceived even here.

Another serious flaw is John being sent back to 2014. As far as we know, Judgment Day is going to happen in 1997. Here we are assuming that Pops arrival has changed things enough that the events seen in Judgment Day and Rise of the Machines never happen and Judgment Day isn't in 2004. First, though, why would Sarah and Pops jump forward to the year Judgment Day happens? Wouldn't it be more efficient to stop Cyberdyne early in its research? They have 13 years to accomplish this. Why cut that lead time down?

As John is sent back to 2014, we now have to assume that Sarah and Pops did stop the 1997 Judgment Day from happening. In Rise of the Machines we are told regarding young John's "preventing" Judgment Day by blowing up Cyberdyne

You merely postponed it.
Judgment Day is inevitable.

And so here, Sarah prevents Judgment Day from happening in 1997 yet it still happens, this time in 2017, and in that future, John is sent back to 2014. But that doesn't explain why he would send Kyle back to 1984 or why Kyle believes that Judgment Day happens in 1997.

There are other time travel flaws in the movie, such as Kyle getting memories from himself in a timeline that has yet to occur in order to change where he and Sarah travel to which has to happen or those memories would never exist. Ummm... However, enough with the reasons this movie completely fails in terms of time travel and on to why we like this movie.

As mentioned in our review of Judgment Day we did not like the way in which Sarah was portrayed. We felt that this was inconsistent with the Sarah we came to know in Terminator and that she was intentionally weakened as a character in order to make John more important.

This Sarah, however, is exactly how we would expect her to be. This is the Sarah we would liked to have seen in Judgment Day. In a deleted scene in Terminator where we see her arguing with Kyle about the "mission" and that rather than run from the T-800 they should blow-up Cyberdyne and stop Judgment Day from happening, Sarah says

We can 86 the bastards. Blow it up. It'll never happen. We can prevent the war.

Here, telling Kyle how things have changed, she says

The girl that you came back for, she's gone. I don't need saving. There's a new mission ... If the past can change, then so can the future. We can stop Judgment Day from happening. Ever.

The second surprising aspect of this movie is Pops. We thought this version of a reprogrammed T-800 is the best so far. This is much better than the "I now know why you cry" guy from Judgment Day. And the smile is hilarious.

These two characters make this a really good movie. Additionally there is some fabulous dialog. There's not room to list all of the funny lines in this but they definitely made the move much more enjoyable. Unlike our reaction after seeing Judgment Day and most definitely after seeing Salvation, which was "Please don't ever make another Terminator movie, please!", after seeing this movie, we are looking forward to what comes next.

Unfortunately, the PTB decided that this reboot did not garner enough support with the public. This was to be a three-movie deal but plans for the next two have been dropped. So, for now, there will be no more stories with the new Sarah and Pops. Kind of sucks, really, as we thought the new Sarah was excellent!

Terminator: Dark Fate

Not going to review it yet, but I'm pretty sure I hate it.

Terminator: The Sarah Connor Chronicles

We very much enjoyed almost all of this series. As there are many hours of terminator here, we will post our reviews of the individual episodes periodically. This may take some time.

Given our previous statements regarding Sarah Connor as the core character in the Terminator franchise, this show had a daunting task as it is all about Sarah. Initially we were disappointed in Lena Headly's portrayal, but she quickly came to own the role and her characterization of Sarah was quite good.

Additionally, we've mentioned how much we disliked young John in Judgment Day, this young John, though, is much, much better. This is more in keeping with the John we see in Rise of the Machines.

Although this came out after Rise of the Machines the story picks up after Judgment Day. We are told it has been two years since they blew up Cyberdyne. According to our calculations, those events took place in 1994 making this 1996. As we find out in Rise of the Machines Sarah dies in 1997 so this all fits.

There is a problem, though, as we are told that it is 1999. Now, what John says to Sarah is

No one knows us.
No one asks questions.
It's been almost two years.

The implication is that it has been two years since they blew up Cyberdyne, however, it could mean that it has been two years since Judgment Day, which they prevented from happening. The difficulty with that explanation is that Sarah died in 1997, two years ago. Nothing that we know of has happened to change the course of events, yet here we are in 1999 and Sarah is alive.

We can surmise, given what we learn as the series goes on, is that because of Myron Stark in 1920, the engineer around 1963, the 4 resistance fighters, Cromartie, Charles Fischer, Vic and Cameron have all arrived from the future – and possibly more – that the chronology we set out between Judgment Day and Rise of the Machines has been altered. Each of the visitations could have had an effect on the past changing things just enough that Sarah does not die in 1997 but rather dies in 2005, or so we find out in Gnothi Seauton.

Confusing as all of this is, it does correct one large flaw with Judgment Day which is John's age. In that we are told he is 13 even though events take place in 1994 and John should be 9. Here, in 1999, John should be 15 and he is.

We have to acknowledge that when talking to Tarissa Dyson at the cemetery in 2007 Sarah says "It's been 10 years" meaning since Myles Dyson died which means the events of Judgment Day took place in 1997 and when John says "two years" he does indeed mean two years since they blew up Cyberdyne. So, although we have cleared up John's age, we have a new mess in the sequencing.

Finally, because Sarah and John jump forward in time to 2007, the events in Rise of the Machines never happen and Judgment Day does not happen in 2004.

Season 1

This season succeeds in many ways. It revives the story without simply repeating it. It is fairly consistent with what has gone before while setting its own path. We learn a lot more about Sarah and we watch John as he begins the process of becoming the Great John Connor.

There are some problems with the story, but all in all it works. The three new characters – Cameron, Ellison and Derek – all add a great deal to the story. And, praise be, Sarah is treated with intelligence as a unique individual and not just the mother of John Connor even though the opening sequence is the Pietà.

Episode 1: Pilot

You changed the future. You just didn't change it enough.

Coming Soon!

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Episode 2: Gnothi Seauton

Are they manning some kind of apocalyptic paramilitary convenience store filled with fake IDs, and guns, and money??

Coming Soon!

Episode 3: The Turk

Have you ever heard of the singularity?

Coming Soon!

Episode 4: Heavy Metal

This is where the factory will be ... where I'll be made

Coming Soon!

Episode 5: Queen's Gambit

Good code is like a good song in your head. It's gotta come out.

Coming Soon!

Episode 6: Dungeons & Dragons

Okay, he's a scary robot? You, you're a very scary robot.

Coming Soon!

Episode 7: The Demon Hand

Dance is the hidden language of the soul.

Coming Soon!

Episode 8: Vick's Chip

It's the only truly irreplaceable part of the machine and she kept it.

Coming Soon!

Episode 9: What He Beheld

And behold, a pale horse. And his name that sat on him was Death.

Coming Soon!

Season 2

Episode 1: Samson & Delilah

We have to kill her, John.

Coming Soon!

Episode 2: Automatic For The People

I'm an Orca ... with boobs.

Coming Soon!

Episode 3: The Mousetrap

You're sitting on a bomb. If you move, it will go off.

Coming Soon!

Episode 4: Allison From Palmdale

I think ... I'm a machine. From the future.

Coming Soon!

Episode 5: Goodbye To All That

I'd like my company to lead the world into the next century. And I'm fairly sure you're an avenging angel.

Coming Soon!

Episode 6: The Tower Is Tall But The Fall Is Short

Are you AWOL? Jesse, did you run from the war?

Coming Soon!

Episode 7: Brothers of Nablus

Just take me back to the halfway house. I am done hanging out with a creepy stalker.

Coming Soon!

Episode 8: Mr. Ferguson is Ill Today

This is it. There's nothing else behind the curtain.

Coming Soon!

Episode 9: Complications

I'm not who she says I am!

Coming Soon!

Episode 10: Strange Things Happen at the One Two Point

Hello, Mr. Ellison. My name is John Henry. How are you today?

Coming Soon!

Episode 11: Self Made Man

What was he doing in 1920? What is this picture from?

Coming Soon!

Episode 12: Alpine Fields

Oh, yeah? Who put you in charge?

Coming Soon!

Episode 13: Earthlings Welcome Here

I am Abraham. I'm the one you're looking for.

Coming Soon!

Episode 14: The Good Wound

Now give me the gun or I swear on a stack of Bibles, I will let you die. Please.

Coming Soon!

Episode 15: Desert Cantos

You know, there are times ... where it seems every logical step we take leads to the most bizarre place.

Coming Soon!

Episode 16: Some Must Watch, While Some Must Sleep

Mom... you're useless like this ...You haven't slept in two weeks.

Coming Soon!

Episode 17: Ourselves Alone

You can't be John's girlfriend. You're a threat.

Coming Soon!

Episode 18: Today Is The Day, Part 1

Our orders come from John Connor.

Coming Soon!

Episode 19: Today Is The Day, Part 2

Tell John Connor, the answer is no.

Coming Soon!

Episode 20: To the Lighthouse

What kind of explosives did you rig the beach with?.

Coming Soon!

Episode 21: Adam Raised a Cain

Future-you knows what it means to lose people you love.

Coming Soon!

Episode 22: Born to Run

Anybody heard the name John Connor?

Coming Soon!